{"id":9996,"date":"2019-08-27T06:42:32","date_gmt":"2019-08-27T08:42:32","guid":{"rendered":"https:\/\/architekturalietuvoje.lt\/object\/vilniaus-laterano-reguliariuju-kanauninku-vienuolyno-statiniu-ansamblis\/"},"modified":"2020-03-02T11:05:24","modified_gmt":"2020-03-02T13:05:24","slug":"vilniaus-laterano-reguliariuju-kanauninku-vienuolyno-statiniu-ansamblis","status":"publish","type":"property","link":"https:\/\/architekturalietuvoje.lt\/en\/lankytinos-vietos\/vilniaus-laterano-reguliariuju-kanauninku-vienuolyno-statiniu-ansamblis\/","title":{"rendered":"Ensemble of the Canon Regular of the Lateran Monastery, Vilnius"},"content":{"rendered":"<h2 style=\"text-align: center;\"><strong>Vilnius Canons Regular of the Lateran Monastery Building Ensemble<\/strong><\/h2>\n<p>In the first half of the 17<sup>th<\/sup> century, the Canons Regular of the Lateran were given the church, which stood in Antakalnis, and a monastery was built for them too. A couple of decades later, during the war with Moscow, both buildings were destroyed. Micha\u0142 Kazimierz Pac, Hetman of the Grand Duchy of Lithuania, funded the construction of a new church and monastery: the new church became one of the most prominent monuments of Baroque in Lithuania. The project has been designed by the Polish architect Jan Zaor, whose work upon his death in the course of the constructions was taken over by Giovanni Battista Frediani, author of Pa\u017eaislis Monastery ensemble. The church and the monastery were completed in 1682-1684, although the most impressive part \u2013 the elements of d\u00e9cor \u2013 took much longer.<\/p>\n<p>The architecture of the <strong>church<\/strong> features shapes of the late Baroque. A particularly distinctive element is the columns, used in both sections of the protruding part of the front fa\u00e7ade \u2013 they divide the fa\u00e7ade vertically, while all previous Lithuanian Baroque church features pilasters. The pairs of these columns \u2013 Ionic at the bottom and Corinthian above \u2013 surround the portal and the large window, built in a rounded niche. The pediment solution is interesting as well: here it consists of two parts, arranged on different planes. The protruding part features a broken rounded pediment with a broken triangle behind it, which crowns the entire width of the middle part of the fa\u00e7ade. The pediment sectioning has the higher part with an embossed composition in the niche, surrounded by fine double pilasters and finished with a triangular cornice at the top.<\/p>\n<p>The cylindrical belfry section features two rising octagonal belfries. Looking at the church from a distance, they fade against the impressive 39 m dome. The edges, emphasized with its pilaster pairs and a massive entablature remind of the composition, used for the belfries. The top of the dome \u2013 the so-called sanctuary lamp \u2013 is vertically divided by volutes, arranged on pilasters. On the front fa\u00e7ade we can see two sculptures \u2013 St. Augustine and St. Stanislaus \u2013 settled in niches, decorated with a shell ornament and finished with angel figures at the top. The pediment features an embossed composition, created in the late 17<sup>th<\/sup> century, while the side fa\u00e7ades \u2013 two marble portals, which were later bricked and used for tombstone plates. The sacristies, leaning against the presbytery, are highlighted with small, single-section turrets.<\/p>\n<p>The richly-decorated entablature and the pediment of the front portal, decorated with the coat of arms of the Pac family, as if prepares the visitor of the church for the interior of the sanctuary. Namely the interior of the church earned this building the title of one of the most important monuments of Baroque in Northern Europe. The impressive mouldings, which organically blend in with the construction elements of the building, were created by the Italians Pietro Perti and Giovanni Galli, assisted by local masters. There are several thousands of examples of stucco d\u00e9cor with themes ranging from biblical to everyday life. The murals survived as well, attributed to the works of Martino Altomonte or Michelangelo Palloni \u2013 they are arranged on the vaults of the middle nave. The sacristy is decorated with two murals of another author. During the reconstruction of the church interiors in the early 19<sup>th<\/sup> century, one of Poland\u2019s churches bought the great wooden altar of this church \u2013 the new solution for the central piece of the church was much more modest; the Rococo pulpit and some other sculptures were built approximately at the same time.<\/p>\n<p>The rather massive shapes of the exterior of the church are complemented by the little chapels with rounded helmets, integrated into the corners of the <strong>fence<\/strong>, surrounding the churchyard.\u00a0 The church is connected to the <strong>monastery building<\/strong> by an arcade with a corridor on the top, stretching from the presbytery of the church. This is a rare architectural solution in Lithuania. The wings of the monastery building create a closed yard and the interiors of the buildings still have the cross and barrel vaults with lunettes. Nevertheless, both the plan of the building and a part of its fa\u00e7ades changed in the 19<sup>th<\/sup> century, when this, like many of Vilnius\u2019 monasteries, was closed and used for other purposes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vilnius Canons Regular of the Lateran Monastery Building Ensemble In the first half of the 17th century, the Canons Regular of the Lateran were given the church, which stood in Antakalnis, and a monastery was built for them too. A couple of decades later, during the war with Moscow, both buildings were destroyed. Micha\u0142 Kazimierz [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2934,"parent":0,"menu_order":0,"template":"","property_type":[101],"property_status":[],"property_feature":[],"property_label":[],"property_city":[],"property_area":[],"property_state":[204],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ensemble of the Canon Regular of the Lateran Monastery, Vilnius - ArchitekturaLietuvoje.lt<\/title>\n<meta name=\"description\" content=\"Architekt\u016bros paveldo objektai aktyviems architekt\u016bros myl\u0117tojams, turistams, besidomintiems specifine architekt\u016bra, ie\u0161kantiems tam tikro stiliaus objekt\u0173 visoje Lietuvoje.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/architekturalietuvoje.lt\/en\/lankytinos-vietos\/vilniaus-laterano-reguliariuju-kanauninku-vienuolyno-statiniu-ansamblis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ensemble of the Canon Regular of the Lateran Monastery, Vilnius - 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